top of page

### CIRCULATION

Sexual Violence, Digital Counterpublics and Cyberfeminist Worldmaking

click for google drive

click for google drive

On various occasions, U.S. president Donald Trump has publicly expressed his views concerning gender relations and sexual assault via Twitter. Contradictory in nature, his statements assert that he possesses an incredible amount of respect for women, while concurrently justifying their sexual exploitation. In light of the fact that this global political leader employs social media networks to circulate his perspective regarding sexual violence, it is important to examine the role that such platforms play in constructing discourse surrounding this issue. In particular, there has been a significant increase of female sexual harassment and abuse testimonies circulating on digital platforms following the development of social media technologies. As political activist Angela Davis pre-emptively stated in Women, Race & Class, following “ages of silence, suffering and misplaced guilt, sexual assault is explosively emerging as one of the telling dysfunctions of present-day capitalist society,” inspiring a plethora of individuals to “divulge their past encounters with actual or would-be assailants.”[1] While it can be argued that many survivors of sexual violence continue to remain silent, it is worth noting that the current phenomenon of “mass disclosure”[2] has emerged alongside the development of peer-to-peer social networking platforms. A whistleblowing culture has surfaced, allowing the public to hold state and market actors accountable for their modes of domination. Many questions emerge from this shift between privately to publicly circulated testimonies of sexual violence. What has prompted the emergence of documented experiences in public forums? Do the platforms circulating these texts serve to reinforce or resist dominant power structures? By digitally exchanging narratives of sexual violence, are survivors able to change the reality of their lived experiences?

​

​

[1] Angela Y Davis, Women, Race & Class (London: Women’s Press, 1982), 172.

[2] Tarana Burke and Elizabeth Adetiba, “Tarana Burke Says #MeToo Should Center Marginalized Communities,” in Where Freedom Starts: Sex Power Violence #MeToo, ed. Verso Books (Verso Books, 2018), 26. E-book.

Symbolic Violence

click for google drive

click for google drive

Pierre Bourdieu’s concept of symbolic violence is helpful in understanding experiences of sexual violence both on a symbolic and discursive level. Bourdieu defines symbolic violence as “a gentle violence, imperceptible and invisible even to its victims, exerted for the most part through the purely symbolic channels of communication and cognition […] recognition, or even feeling.”[1] While physical violence can be viewed as an elementary mode of domination, in which overtly coercive violence is exerted by force, symbolic violence is a complementary mode of domination that is less tangible, exerted by subtle means that appear neutral, yet are “intersected by particular forms of racialised/ethnicised, gendered, classed power relations and structures.”[2] A key mechanism used to exert this violence is misrecognition, namely the “process whereby power relations are perceived not for what they objectively are but in a form which renders them legitimate in the eyes of the beholder.”[3] Through acts of misrecognition, agents accept social structures as fixed realities, thereby legitimating the violent practices embedded in these structures. In Exploring Symbolic Violence in the Everyday: Misrecognition, Condescension, Consent and Complicity, Suruchi Thapar-Björkert, Lotta Samelius, and Gurchathen S. Sanghera argue that the misrecognition of male domination is often used to naturalize domestic and sexual abuse, legitimating the behaviour of male abusers and emphasizing the blame of female victims.[4] They contest that this violence is often misrecognised as a natural consequence for women who engage in deviant social behaviour, such as drinking excessive alcohol or engaging with men in precarious settings.

​

A recent example of symbolic violence exerted through misrecognition is the widely reported case of Jada, a 16-year-old teenager from Houston, Texas who was intoxicated at a party in 2014, where two older male peers gang raped her.[5] The victim learned of this sexual violation when a low resolution image of her own body, unconscious and undressed, began to circulate virally on various social media networks, the main platform of which was Twitter. The hashtag #JadaPose trended alongside meme-like images and videos of her peers and other Twitter users re-enacting the original pose of her unconscious body [Folder 2][6] In this case, sexual aggression was perceived of as a natural male disposition, which women must learn to diligently navigate, or else bare the consequences of. Shamed for her ineptitude to navigate this given social reality and for her socially deviant act of consuming excessive alcohol, Jada was held responsible for the sexually abusive act and publicly reprimanded by her peers. Symbolic violence was exerted not only by her sexual abusers through their circulation of the initial image, but further by her peers and the wider Twitter network through their re-circulation of visual parodies, which served to publicly denigrate the survivor. The misrecognition of sexual violence against women allowed Jada’s abusers and peers, as well as the wider Twitter network, to be absolved of responsibility for their acts, while reinforcing accepted social structures of male dominance and victim blaming narratives.

​

As the case of #JadaPose suggests, symbolic forms of violence are often exerted through discursive practices. Bourdieu argues that language is a key form of domination, in that it constructs perceptual categories that provide the framework for words and images.[7] These categories act as “invisible structures that organize perception and determine what we see and do not see.”[8] In Jada’s case, the parody images of her unconscious body were framed within a specific perceptual category through the vernacular language of the #JadaPose hashtag. Drawing on the exaggerated, imitated gestures of the young woman’s body, the hashtag diverted the viewer’s attention from the violence of the sexual act itself and focused instead on the comedic nature of the scenario. The images are framed as a young woman who bares the appropriate, shameful consequences of consuming excessive alcohol. In this case, the language that framed the images provided the appropriate lens through which viewers could interpret the reality of the event; namely through parody, public humiliation and victim blaming.

​

However, it can be argued that the same discursive mechanisms used to exert forms of symbolic violence can also be used to overcome them. As outlined, discursive modes of symbolic violence hold the power to define social realities through certain perceptual lenses. Bourdieu argues that these practices “derive their power from their capacity to objectify unformulated experiences, to make them public”[9]; as when Jada’s abusers and peers made her experience of sexual abuse public through the circulation of social media hashtags and visual parodies. Inherent in this argument is the idea of publicity. When experiences are made public, the way in which their reality is constructed changes. Inserted within a dominant ‘objective’ discourse, experiences of subordinate groups continue to be defined through the lens of dominant perceptual categories. As such, dominant groups derive symbolic power from their ability to define the experiences of subordinate groups. Yet, what occurs when subordinate groups re-appropriate dominant discursive tools to define their own experiences? In fact, a key turn in the case of #JadaPose was its competing hashtag, #IAmJada, which was created by the survivor in response to the viral “memefication” of her sexual abuse.[10] The young woman posted an image to Twitter of herself along with the hashtag #IAmJada, exposing her identity, agency and subjectivity in the experience. The hashtag was subsequently re-circulated on Twitter by thousands of users and resulted in widespread media coverage of the issue as well as social media campaigns against sexual abuse that foregrounded Jada’s narrative.[11] By employing the dominant discursive tool of hashtags, Jada was able to create new “legitimate modes of thought and expression"[12]outside of the established ‘objective’ dominant discourse established by her peers. Jada was able to frame the reality of her experience through a new perceptual lens; namely, that of sexual abuse and exploitation of women.

​

​

​

[1] Pierre Bourdieu, Masculine Domination (Cambridge: Polity Press, 2001), 2.

[2] Suruchi Thapar-Björkert, Lotta Samelius and Gurchathen Sanghera, “Exploring Symbolic Violence in the Everyday: Misrecognition, Condescension, Consent and Complicity,” Feminist Review 112 (2016): 149.

[3] R. Nice, “Translators Notes” in Bourdieu and Jean Passeron, Reproduction in Education, Society and Culture (London: Sage Publications, 1977), xxiii.

[4] Thapar-Björkert, Samelius and Sanghera, “Exploring Symbolic Violence,” 150-51.

[5] “#IAmJada: When abuse becomes a teen meme,” CNN News, last modified July 28, 2014, https://edition.cnn.com/2014/07/18/living/jada-iamjada-teen-social-media/index.html.

[6] Ibid.

[7] Bourdieu, Television, 248.

[8] Ibid., 247.

[9] Pierre Bourdieu, Outline of a Theory of Practice (Cambridge: Cambridge University Press, 1977), 170.

[10] “#IAmJada.”

[11] #IAmJada Hashtag has recently resurfaced in light of recent sexual assault allegations and the current #MeToo hashtag campaign.

[12] Bourdieu, Outline of a Theory of Practice, 170.

Digital Counterpublics

click for google drive

click for google drive

The concept of digital counterpublics is especially useful in understanding the exclusionary practices of dominant discursive spaces as well as the alternative spaces that have emerged to circulate experiences of sexual violence against women. Feminist theorist Nancy Fraser critiques Jürgen Habermas’ seminal theory of the public sphere as a utopian bourgeois masculinist model, which served to legitimate racial, gender and class domination by the bourgeoisie.[1] Moreover, she contests that inherent in this model is the assumption that “public interest” does not include certain private interests of citizens, particularly those relating to “domestic or personal life, including sexual life.”[2] Systemically excluded from public debate, issues of domestic privacy were silenced from public discourse. In many cases, these included the so-called “private” concerns of subordinate groups, which were confined or “enclaved” to specific discursive arenas that were deemed appropriate for discussion.[3] As a result, neither state nor market actors were held accountable for these issues by means of publicity. This systemic exclusion, in turn, reproduced structures of domination and subordination. Fraser’s argument can be viewed within the context of sexual violence, in that this issue has traditionally been viewed as a private, personal matter and excluded from dominant public discourse. For instance, sexual abuse has traditionally been silenced or discussed within a limited number of institutional settings, such as legal, psychological or social work frameworks. Though there are limited formal restrictions that censor the discussion of these private issues in public forums, there remain informal strategies of exclusion that restrict their discussion.

​

As an alternative model, Fraser proposes the concept of multiple, competing publics, which she terms subaltern counterpublics. Inherited from Gayatri Spivak’s term subaltern[4] and Rita Felski’s term counterpublics[5], subaltern counterpublics refers to “parallel discursive arenas where members of subordinated social groups invent and circulate counterdiscourses, which in turn permit them to formulate oppositional interpretations of their identities, interests, and needs.”[6] In response to the systemic exclusion of marginalized groups, counterpublics emerge as forms of “sustained discursive contestation” to counter dominant discourses.[7] Fuelled by a plurality of publics with multiple perspectives, these alternative arenas provide rich forums to discuss the “private” issues excluded from dominant public arenas. Building on Fraser’s model of subaltern counterpublics, queer and social theorist Michael Warner defines counterpublics as spaces that come “into being only in relation to texts and their circulation.”[8] From Warner’s perspective, these social spaces do not exist a priori. Rather, they are brought into consciousness through the continuous circulation and interaction of texts, forming spaces “of discourse organized by discourse.”[9] Key to this definition is the circulation of alternative texts and idioms that constitute counterpublics and serve to respond to the dominant public’s ideological limitations. An example of a contemporary discursive space embodying the concept of counterpublics is the Arabic hashtag الغاء_308#, which translates to #308Removed. Widely circulated among Middle Eastern Twitter users in 2017, the hashtag referred to Article 308 in Jordan’s Penal Code, which foregrounded laws that reduced the punishment of men who committed crimes against women.[10] Included in the article were laws that allowed perpetrators of rape to avoid legal punishment if they married their victims as well as reduced sentences for perpetrators who murdered women “to cleanse family honour”.[11] As preliminary steps were taken to abolish the controversial legal clause, the resulting hashtag #308Removed trended on Twitter, resulting in over 3,500 tweets within a 24-hour period.[12] Invented as a means to contest dominant public discourse surrounding violence against women, #308Removed became a counterdiscourse for marginalized groups to redefine public interest. Alongside women’s and human rights activists, the wider Twitter-sphere crafted oppositional interpretations of women’s identities and needs; namely that women are autonomous, equal members of society entitled to legal protection from sexual and physical abuse. Through the continual interaction and re-negotiation of these texts, a space emerged in which “private” issues of sexual and physical violence against women were legitimated as valid issues of public debate. In this sense, the space created through the circulation of a hashtag acted as a counterpublic of discursive contestation.

​

In many ways, social media platforms are a key element to the circulation of counterdiscourses in counterpublics. Drawing on a globalized network of transnational users, the scale and interactivity of current social media platforms is unprecedented.[13] As media policy academic Petros Iosifidis asserted in 2011, “if Facebook were a country it would now be the third most populous on earth after China and India.”[14] Providing an immense, global platform for intercommunication, these decentralized, self-organized spaces facilitate collective participation in public discourse while operating independently of state actors. Iosifidis maintains that such digital platforms can provide the ideal basis for counterdiscourses, precisely because of their ability to hold institutions, governments and politicians accountable for their actions.[15] .[16] As a self-organized social media platform, Twitter provides a rich terrain for the circulation of counterdiscourses, through which the #308Removed counterpublic was able to emerge. Employed by approximately 330 million international users in 2017[17], Twitter’s interconnected social network allowed the issue of Article 308 to gain widespread media attention, resulting in coverage by various global news outlets. Operating independently of state actors, Twitter was used as a media platform (along with many others) to hold the Jordan government accountable by means of publicity. As a counterpublic, #308Removed circulated various counterdiscourses that contributed to the collective of action of government lobbying, with the goal of abolishing the legal article.[18]

​

Furthermore, social media platforms facilitate the emergence of counterpublics, in that they provide a discursive arena for empathetic interconnectivity. Penelope Kemekenidou argues that technological tools such as social media platforms provide a “hyperconnected” space that facilitates empathetic relationships.[19] Though public discourse is addressed to a nonidentified viewership, the subjectivity of the speaker on such platforms resonates among a wide audience through a sense of collective identity.[20] Creating a web of shared experiences, mainstream social media platforms allow private experiences of marginalized individuals to be heard and validated by others who share similar experiences.[21] The sense of empathy that results from these interconnected experiences becomes a form of community building and a mode of collective opposition to dominantly circulated narratives. In Kemekenidou’s words, “if we empathize, we mobilize.”[22] Granting “social relevance to private thought and life”, social media networks that facilitate interconnected empathy become significant platforms to circulate the counterdiscourses that structure counterpublics.[23] As an interconnected social media platform, Twitter weaves together shared experiences among its users through the circulation of hashtags. For instance, one of the most widely used hashtags of 2017, #MeToo gained a successful following precisely because of its facilitation of empathic relationships through shared experiences. Prior to its evolution into a hashtag, the phrase “Me Too” was employed as a discursive tool to support women of colour who experienced sexual assault.[24] Coined by American activist Tarana Burke, the words were conceived of as a way to express solidarity with women who spoke of their sexually abusive experiences.[25] Affirming “Me Too” indicated that one shared a similar experience and “could release survivors from the shame they felt and serve to empower them – especially in minority communities.”[26] Similar to #IAmJada, the hashtag #MeToo was circulated on social media platforms by survivors of sexual abuse alongside testimonials of their personal experiences. As millions of Twitter users circulated the hashtag, a sense of interconnected empathy emerged through the participants’ shared experience of sexual trauma. The hashtag was re-circulated by wider social networks to publicly express support for survivors, gaining widespread media attention, and leading to government lobbying efforts to change regulations concerning sexual abuse.

 

 

[1] Nancy Fraser, “Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy,” Social Text 25/26 (1990): 62.

[2] Ibid., 71.

[3] Ibid., 73.

[4] Gayatri Spivak, “Can the Subaltern Speak?,” in Marxism and the Interpretation of Culture, eds. Cary Nelson and Larry Grossberg (Illinois: University of Illinois Press, 1988), 271-313.

[5] Rita Felski. Beyond Feminist Aesthetics: Feminist Literature and Social Change (Cambridge: Harvard University Press, 1989).

[6] Fraser, “Rethinking the Public Sphere,” 67.

[7] Ibid., 71.

[8] Michael Warner, Publics and Counterpublics (New York: Zone Books, 2005), 66.

[9] Ibid., 68. Warner refers to this discursive process as “autotelic circularity”

[10] “Jordan MPs vote to scrap rape law loophole,” BBC News, last modified August 1, 2017, http://www.bbc.co.uk/news/world-middle-east-40793049.

[11] Ibid.

[12] “#MeToo, #TakeAKnee and #Covfefe: Hashtags that dominated in 2017,” last modified December 27, 2017, http://www.bbc.co.uk/news/world-42251490.

[13] Petros Iosifidis, Global Media and Communication Policy (New York: Palgrave Macmillan, 2011), 37.

[14] Ibid.

[15] Ibid., 35.

[16] Ibid.

[17] “Twitter: number of active users 2010-2017,” Statista, accessed April 10, 2018. https://www.statista.com/statistics/282087/number-of-monthly-active-twitter-users/.

[18] “MeToo, #TakeAKnee and #Covfefe.”

[19] Penelope Kemekenidou, “Empathic Cyberactivism: The Potential of Hyperconnected Social Media Networks and Empathic Virtual Reality for Feminism,” American Studies Journal 61 (2016), accessed April 5, 2018, doi: 10.18422/61-05.

[20] Warner, Publics and Counterpublics, 77.

[21] Kemekenidou, “Empathic Cyberactivism.”

[22] Ibid.

[23] Warner, Publics and Counterpublics, 77.

[24] Jessie Kindig, introduction to Where Freedom Starts: Sex Power Violence #MeToo, ed. Verso Books (Verso Books, 2018), 17. Interesting discursive tool in that it is abstract and doesn’t require further explanation. This raises issues as to the varying degrees of sexual assault, and the solidarity for issues experienced differently.

[25] Ibid., 17.

[26] Burke and Adetiba, “Tarana Burke Says #MeToo,” 23.

Cyberfeminist Worldmaking

click for google drive

click for google drive

Framed within the context of hashtag circulation, digital counterpublics can be viewed as important means of cyberfeminist worldmaking. Inherited from philosopher Nelson Goodman’s 1978 Ways of Worldmaking, the term ‘worldmaking’ describes a mode of enquiry that uses symbols to fabricate facts, resulting in the creation of  “world versions”.[1] World versions belong to distinct “frames of reference” that act as “systems of description” for social realities.[2] These frames exist simultaneously to generate different – and at times contradictory – worlds. The result is the co-existence of multiple social realities at any given moment. Building on Goodman’s theory, Warner argues that a public or counterpublic embodies a form of poetic world making, in that it “must characterize the world in which it attempts to circulate and it must attempt to realize that world through address.”[3] From this perspective, public discourse specifies a particular “world”, which it wills into existence by means of public address. Forms of cyberfeminist worldmaking emerge when these worldmaking acts are employed via technological tools to develop “radical political strategies to challenge and disturb the patriarchal status quo”.[4] Appropriating new technology to reconfigure social realities, early cyberfeminists of the 1990s viewed digital platforms as ideal spaces to “create new languages, programs, platforms, images, fluid identities and multi-subject definitions in cyberspace”.[5] As Australian cyberfeminist collective VNS Matrix states in Cyberfeminist Manifesto for the 21st Century, cyberfeminists act as “saboteurs of big daddy mainframe” through their corruption of patriarchal discourse and redefinition of female identity.[6] As counterpublics form by means of circulated counternarratives in cyberspace, they can encompass forms of cyberfeminist worldmaking, which counter not only patriarchal discourse but also the patriarchal worlds created by the circulation of such discourse. The circulation of cyberfeminist texts that de-legitimate male domination serve to create frames of reference for new realities, which co-exist with the patriarchal discourses they aim to subvert. Employing digital platforms to circulate the counterdiscourses of which they are composed, counterpublics subsequently become important means of crafting new, feminist social worlds.[7]

​

Digital counterpublics that foreground experiences of sexual violence against women can be viewed as important forms of cyberfeminist worldmaking. Through the continual exchange of feminist counterdiscourses that name experiences of female subordination, these counterpublics effectively bring into consciousness the endemic reality of male dominance. The discursive circulation of such counterdiscourses ensures that patriarchal realities – which legitimate the subjugation of women – are challenged and subverted by feminist realities that assert the equality of men and women. Employing the public arena of cyberspace, hashtag campaigns such as #IAmJada #308Removed and #MeToo expose the realities of women who endure male violence – whether on a national or global scale – thereby bringing into being these realities. More complex than simple conscious-raising campaigns, the cyberfeminist worlds of hashtag counterpublics can result in systemic changes in social and political structures, as well as the lived experiences of individuals.

​

Yet, the cyberfeminist worldmaking of counterpublics is not without its flaws. Just as early cyberfeminism was critiqued for its failure to recognize diversity among women in digital spaces, so too can the cyberfeminist worlds of counterpublics be charged for their homogenization of female experiences. For instance, the cyberfeminist world created by the #MeToo counterpublic can be critiqued for its marginalization of race and gender. Though initially invented by a black female activist in support of marginalized women, the phrase “Me Too” was subsequently popularized by white, wealthy, cis-gendered women; most notably actress Alyssa Milano.[8] In this case, a white, higher-class actress was able to claim the universality of female sexual violence, without examining the nuanced issues of gender and race that this violence entails. Foregrounding the texts of this privileged group of women, the widely circulated counternarratives created a homogenized frame of reference premised on exclusion rather than inclusion. Therefore, many cyberfeminist worlds that form with the goal to change realities of female oppression serve to reinforce the hierarchies of domination that they advocate against. The appropriated language of #MeToo can be viewed as a strategy of condescension in that its universal claim to represent all survivors of sexual violence in fact serves to privilege white, cis-gendered women, while devaluing the experiences of marginalized women of colour and non cis-gendered women. Serving the private interests of a dominant group of women, the cyberfeminist world of #MeToo informally encompasses exclusionary practices. Many questions concerning the responsibility of counterpublics to create inclusive worlds arise from this example. Is it possible to create a race and gender-inclusive cyberfeminist world or do these world versions encompass exclusions by nature? What other competing counterpublics co-exist with current cyberfeminist worlds?  Though they are beyond the scope of this research, these questions are worth considering in view of the exclusions that the cyberfeminist worldmaking of current digital counterpublics reinforce.

 

 

***

 

Therefore, when president Donald Trump explicitly demeans women and condones their sexual assault through means of a public digital platform such as Twitter, it is vital that feminist counternarratives are circulated to counter this form of symbolic violence. Empowering women to redefine their social realities of sexual violence, the successful circulation of hashtags can lead to digital counterpublics that enable a process of cyberfeminist worldmaking. Yet, as we have seen, the power inherent in this worldmaking process can foster its own exclusionary practices that undermine the advocacy of such counterpublics. Moving forward, the circulation of discursive mechanisms such as hashtags must be viewed through a dual lens: as modes of empowerment and domination. 

​

​

​

[1] Nelson Goodman, Ways of Worldmaking (Indianapolis, Cambridge: Hackett, 1978), 2.

[2] Ibid., 2-3.

[3] Warner, Publics and Counterpublics, 114.

[4] Maria Fernandez and Faith Wilding,“Situating Cyberfeminisms,” in Domain Errors! Cyberfeminist Practices: A subRosa Project, eds. Maria Fernandez, Faith Wilding and Michelle M. Wright (New York: Autonomeda, 2002), #.

[5] Ibid., 21.

[6] “The cyberfeminist manifesto for the 21st century,” VNS Matrix, accessed April 10, 2018. https://vnsmatrix.net/the-cyberfeminist-manifesto-for-the-21st-century/.

[7] Warner, Publics and Counterpublics, 108.

[8] Burke and Adetiba, “Tarana Burke Says #MeToo,”

#Cyberfeminism

#Cyberactivism

#Sexualviolence

bottom of page